Silent Silhouettes – Additiv gefertigte Akustikabsorber aus Ton
Master’s thesis Summer 2025

Published by the Department of Digital Design Unit (Prof. Dr.-Ing. Oliver Tessmann)

Increasing noise levels in urban environments make it necessary to rethink sustainable materials for room acoustics. (Astrauskas et al., 2020) Conventional acoustic materials are often made of plastic foam and are difficult to recycle. Silent Silhouettes investigates clay as a building material – a traditional material that is seeing renewed use in contemporary architecture. While its climate-regulating and hygrothermal properties are well documented, its acoustic potential remains largely unexplored. (Fischer et al., 2021) This research addresses this gap, exploring the possibilities of developing clay into an effective sound absorber through additive manufacturing.

Increasing noise pollution presents the challenge of integrating sustainable materials into building acoustics. Clay is investigated as an exemplary material – a traditional building material that is experiencing renewed interest today. While its hygrothermal properties are well studied, its acoustic potential in the context of sound absorption remains largely unexplored.

This thesis examines the potential of producing acoustic absorbers from clay using additive manufacturing. The aim is to develop a monomaterial, sustainable, and acoustically effective structure that requires no additional carrier materials or composites. A comprehensive literature review analyzed the current state of research on additively manufactured clay structures, the acoustic behavior of porous materials, and the influence of so-called tortuosity on sound absorption.

Based on this, geometric parameters were identified in the first part of the project that improve the acoustic performance of clay structures, including a wavy external contour, a microstructured surface with openings, and an internal highly porous geometry based on a growth-based algorithm. The developed geometry is based on alternating concave and convex base curves, forming a pocket-like structure arranged bead-like along a primary curve. This creates a silhouette with narrow vertical openings, allowing targeted reflection and attenuation of sound to the energetic minimum. At defined points, sound is absorbed through the developed porous growth pattern.

Computer simulations, impedance tube measurements, and reverberation chamber tests demonstrate the enhanced acoustic performance. The results highlight the potential of additively manufactured clay structures as a sustainable alternative to conventional acoustic solutions.

Awarded the departmental prize for the best Master's thesis